Free reference
The Diagram Library.
Classic faceting designs in the public domain — with full cutting schedules you can work from right here. These aren't Gem Beam originals; they're the standards every faceter should know, collected in one place.
New to cutting? Start with the Standard Round Brilliant. Chasing ideal proportions? That's Tolkowsky. Want the hall-of-mirrors look? Emerald Cut.
01 / Round
Standard Round
Brilliant #
The 58-facet round brilliant every faceter learns first. This is the US Faceters Guild standard version, spec'd here for quartz (RI 1.54) — raise the pavilion angles a couple of degrees for higher-RI material.
- Facets
- 58 + girdle
- Table
- ~52%
- Symmetry
- 8-fold mirror
- Outline
- Round
- Index gear
- 96
- Spec'd for
- Quartz · RI 1.54
Cut the pavilion breaks to a temporary center point, level the girdle at 90°, then bring the mains to meet. On the crown, the table needs no meets — just cut it level and to size.
Cutting schedule
Pavilion
PB144.0°03 09 15 21 27 33 39 45 51 57 63 69 75 81 87 93 · 16 breaks to temp center
G90.0°girdle — cut to meet PB1
PM142.0°96 12 24 36 48 60 72 84 · 8 mains to meet breaks + girdle
Crown
CB34.0°03 09 15 21 27 33 39 45 51 57 63 69 75 81 87 93 · 16 breaks to level girdle
CM28.0°96 12 24 36 48 60 72 84 · 8 mains to meet breaks + girdle
S15.0°06 18 30 42 54 66 78 90 · 8 stars
F10.0°06 18 30 42 54 66 78 90 · 8 upper-girdle facets
T0.0°table — no meets
Schedule adapted from the US Faceters Guild's Standard Round Brilliant. Full version at usfacetersguild.org.
02 / Round
Tolkowsky
Ideal #
Marcel Tolkowsky's 1919 proportions for the round brilliant — the math that defined "ideal cut" for a century. Pavilion 40.75°, crown 34.5°, table 53%. Same 58-facet arrangement as the Standard Round Brilliant; only the angles change.
- Facets
- 58 + girdle
- Table
- 53%
- Pavilion angle
- 40.75°
- Crown angle
- 34.5°
- Total depth
- 59.3%
- Published
- 1919 · public domain
Tolkowsky's numbers were computed for diamond (RI 2.42). For colored stones, keep his proportions but nudge the pavilion mains a few degrees above your material's critical angle — the same rule as always.
Cutting schedule
Pavilion
P140.75°96 12 24 36 48 60 72 84 · 8 mains
P2~42°03 09 15 21 27 33 39 45 51 57 63 69 75 81 87 93 · 16 lower-girdle facets
G90.0°girdle
Crown
C134.5°96 12 24 36 48 60 72 84 · 8 bezels
C2~26°06 18 30 42 54 66 78 90 · 8 stars
C3~18°03 09 15 21 27 33 39 45 51 57 63 69 75 81 87 93 · 16 upper-girdle facets
T0.0°table · 53%
Proportions from Marcel Tolkowsky's Diamond Design (1919), long in the public domain.
03 / Rectangle
Classic
Emerald Cut #
The step cut — long parallel facets like a staircase, flashing in broad planes instead of sparkle. Cut corners, a big open table, and a keel (a ridge, not a point) on the pavilion. It hides nothing, so cut it in clean rough.
- Facets
- 49–57 typical
- Table
- 60–65%
- Pavilion
- ~40–43° steps
- Crown
- ~30–35° steps
- Length : width
- 1.30–1.50
- Culet
- Keel (ridge)
Step cuts are cut in rows: each pavilion step is a straight facet running the length of the stone, steepening toward the keel. Crown steps mirror them toward the table. Meet points matter less than straight, even rows — keep each step flat and parallel.
How to cut it
Pavilion
P1~43°keel line down the long axis — the two center rows meet here
P2~41°next step out, parallel to the keel
P3~39°outer step, meets the girdle
G90.0°girdle — rectangle with cut corners
Crown
C1~35°outer step, meets the girdle
C2~32°middle step
C3~28°inner step, meets the table
T0.0°table · 60–65%
The emerald step cut dates to the 1500s — long public domain. For full indexed diagrams, see the links below.
04 / Square
Fasscher
"Fake Asscher" #
Allan Aoyama's simplified Asscher-style square step cut — the Asscher look without the deep, complicated step pavilion. 4-fold mirror symmetry on a 96 index. Cuts quickly; the large pavilion facets can be a bear to polish.
- Facets
- 41 (33 + 8 girdle)
- Table
- ~38%
- Symmetry
- 4-fold, mirror image
- Index
- 96
- RI
- 1.62 (adjust for your material)
- L/W
- 1.00
BOG-optimized for tourmaline. Good for flat tourmaline sections — you can vary the step width of the crown to adjust for lack of material.
How to cut it
Pavilion
P139.60°96 · 24 · 48 · 72
P237.63°12 · 36 · 60 · 84
G90.00°girdle — 96 · 24 · 48 · 72 and 12 · 36 · 60 · 84
Crown
C141.00°96 · 24 · 48 · 72 and 12 · 36 · 60 · 84
C236.11°96 · 24 · 48 · 72 and 12 · 36 · 60 · 84
C331.33°96 · 24 · 48 · 72 and 12 · 36 · 60 · 84
T0.00°table
Design by Allan Aoyama (2011), shared free at omnifaceter.net.
More free diagrams.
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